How would you describe what you do?
I'm a maker working with a range of materials, creating small sculptural craft objects as well as exploratory drawings. Currently my artwork explores the visual repetition and narrative found in highrise buildings and cityscapes. There’s power as well as a vulnerability in these structures.
How did you get started in art/design?
I went to art school to study Foundation and then continued to study a degree, although I did get started much earlier. I’ve made things since I was very young. Art school offered the opportunity to continue to do this. As well as a career as a designer and maker, I’ve taught in art schools for the past 30 years. Colchester Institute’s School of Art for 20 years, where I progressed from lecturer to Head of School, and 10 years at University of the Arts London where I’m Dean of Art & Performance.
What makes your work and/or process unique?
I wouldn’t say the process is unique, but I approach my making in an experimental manner, making samples. Rather than a sketchbook, I have ‘sketch boxes’ which hold groups or collections of my material samples. At specific moments I will take the samples and refine these into finished objects ready for exhibition.
What tips would you give to someone interested in starting what you do?
Try to put aside the pressure of making a finished thing, and experiment! Then pause and reflect on what you’ve made, ask what you could do differently or better and make again.
What made you feel like, "yes this is something I want in my life”?
When I’m making and something just happens and goes right first time!
If you have the dreaded creative block, where do you get your inspiration?
I visit exhibitions and I give myself space to look and absorb. A creative block can be difficult, but I remind myself that art can be anything and be made from anything, and that helps to remove the pressure of making, usually enough to get going again.
Where do you see yourself in the future with this journey? Do you want this to be long term?
I hope to continue making and refining my work. I see this being long term.
Is there another artist/maker you admire?
I'm a fan of Hans Stofer. I love the way he can combine incredible skill and craftmanship with a freedom to experiment. Particularly his pieces that use found materials. There is a knowingness and confidence evident in his work, as well as humour.
Are there any exciting events/projects/experiences soon?
I'm currently exhibiting in a group show in the Benham Gallery at Cuckoo Farm Studios. The exhibition is one of a series five, exploring the 'ages' of art. The exhibition I'm in is 'Assemblage'. It runs from 28th September to 13th October and is open Saturdays and Sundays, 11am-4pm.
Why is Colchester Makerspace important to you/your work?
I love the community at the Makerspace. I can't get there to make work very often, but I feel part of a special group of creatives through the various WhatsApp group chats and the courses and events. I also have a studio at Cuckoo Farm Studios. The two spaces offer different opportunities. For example, the Makerspace allows me to work in ceramics and at Cuckoo Farm Studios I explore ideas in metal and paper.
Jayne’s work will be on display and available to buy from Friday 4th October at Patch in front of the Makerspace at Trinity Works.
Below is Jayne’s socials where you can see more of her pieces and contact her with any interest of purchasing!